“BaroQue Across the River, a Brooklyn group, opened the concert with two elegant French cantatas — Rameau’s L’Impatience and Montéclair’s Ariane et Bacchus — to which Michèle Eaton brought a sumptuous tone, a keen dramatic sense and striking agility in the ornamental vocal scoring. Kathy McDonald contributed the appealing flute obbligato in the Montéclair.” Alan Kozinn of the New York Times